Sunday, August 24, 2008

The state of publishing and digital media


The state of publishing and digital media
Written by Gary Howes
Today PriceWaterHouseCoopers (PWC) releases their report on the current state of the global publishing industry with a focus on the ongoing debate as to whether digital has spelt the death of print.

The global consumer magazine market is currently worth about £43 billion - up from about £38 billion five years ago.

Advertising accounted for most of this rise. Between 2003 and 2007, revenues from print advertising increased at a compound annual growth rate (CAGR) of 4%. Conversely,
circulation revenues grew by just 1.9%.

PWC Entertainment and Media Practice suggests that the consumer magazine market will reach about £51 billion by 2012, and that advertising will once again generate most of the increase.

It is however expected that revenues from digital advertising will grow at a very much faster rate than revenues from traditional print advertising.

Between 2004 and 2008, global expenditure on Internet advertising rose at a CAGR of 38.1%, whereas print advertising in consumer magazines and newspapers grew by just 4.4% and 2.4%, respectively.

The pace at which online advertising expands is likely to slow over the next five years. Even so, PWC believe that revenues will increase at a CAGR of 19.5% - three times more than the rate at which expenditure on any other form of advertising is projected to grow.

Consumer trends

PWC says the global publishing industry is undergoing major changes. A growing number of people are migrating from the printed page to the Internet for information and
entertainment. So what should consumer magazine publishers and media buyers do to succeed in the digital age?

The research shows that:

Most consumers still prefer to read hard copies of magazines, but many are also interested in reading digital content (by which we mean interactive materials, not
PDFs or other static formats which can be viewed online) - and younger consumers would rather access content digitally.

A significant number of consumers also express interest in using new digital devices to read digital content, once these devices are commercially available.

However, consumers expect to pay more for printed content than for content distributed electronically. Indeed, the research suggests that they are not prepared to pay more than half the sum they would pay for a printed magazine.

Moreover, many consumers see digital-only content as a substitute for printed content. So any magazine publisher which launches digital content connected to its brands risks cannibalising subscription and circulation revenues from its traditional print magazines.

However, there is no evidence thus far that consumer magazine print products have been cannibalized by the presence of digital versions of the magazine on the title's website. This fear may therefore be groundless.

A number of magazine publishers have responded to the digital revolution by reshuffling their portfolios through acquisitions, disposals and new launches, or by forming strategic alliances to get access to the skills they need.

As progress in developing digital media is being made in mainland Europe, Britain and in North America, Eastern European publishers continuing to build up their print portfolios, as this relatively new industry develops.

British and North American magazine publishers expect to generate as much as 20% of their total revenues from digital platforms within the next five years, whereas mainland European publishers expect to generate only 10% of their revenues from online activities. This reflects consumers' willingness to pay for digital content in these markets.

According to third party research, smaller publishers in Britain and in North America are far ahead of their mainland European counterparts in digital investment and development.

And it is those that have been able to leverage strong brands across multiple media platforms and generate revenues from online advertising, search-engine marketing and e-commerce that have proved most successful.

Thursday, August 21, 2008

Finally Some Uplifting News From BoSacks?


BoSacks Speaks Out: Finally Some Uplifting News From BoSacks?
www.bosacks.com
I received a letter from a reader who said that some of his friends have stopped reading BoSacks because of all the bad news. I wasn't shocked at the note, but I admit that I was a little disappointed. I thought that my position was clear. I wrote back that I did not think that the industry is in death mode, nor has that ever been the intent of my coverage. And I also wrote that I try my damnedest to find positive and uplifting news.

Indeed I am very upbeat about our industry, and I see a bright future for the industry and the people in it. But there are a few things that have to be stated. The industry is never going to be the way it was; it is not even going to be the way it is. But I think the stories I send out give our readers a chance to see how the future may bend, blend and re-form, and hopefully offer a place of steady employment, if you are smart enough to read between the lines.

The industry is radically changing. So what? Why do you find that so depressing? I do not. Change is an elixir, and should be treated that way. The possibilities of information distribution in the next few years will be nothing less than staggering. Quite possibly we could be heading into the great, golden years of publishing. Is that a downer? Not in my book. There is more reading material available now, to more people than ever before in the combined history of man.

There are no age qualifiers on my web site when you sign up, so I'll ask this question: What were you doing five years ago? If you were in the business, what were you doing ten years ago? Are you doing the same thing now that you were doing then? I doubt it. What do you think you will be doing ten years from now? Do you think it is possible your job description and responsibilities might change? What might they be?

Our technology is growing exponentially. What used to take ten technologic years to advance now takes five, perhaps even less. My advice is to be very prepared to face the future with full frontal aggressiveness and make it your friend, not your combative enemy. If technology and the future are not your friends, you are fighting a battle you can not possibly win. As I have said before, the future is here now; it is just not widely distributed yet.

There are two options -- we can stick our heads in the ground in denial and hope that the industry problems will somehow go away and we will be able to continue to do what we have been doing, or we can do our very best to stay informed about the industry as it changes and grow with it. The choice is ours. Information is our power. That is why I am bullish about the publishing industry. We own the content. I do not care how we distribute that content. Some of it will always be on paper and some will be distributed electronically. So what? Once writers needed quill pens to write. Many years later came fountain pens, and then typewriters. Now we have computers. Are my words typed on a laptop and distributed by electrons, any less important because of this method of delivery? The reading of the written word is what is most important, not the pathway to receiving them. The truth is those words are more important when they are as fresh as possible and only a few electronic minutes old.

The bottom line for us all is to try to stay employed as long as we wish to work. The only way to that end is to work hard and be as informed as is possible.

Oh, yes, and I might mention that I do try my hardest to find articles that are positive and uplifting about our industry. They do exist from time to time; it's just that they are very few and far between. When I find them, I send them. I also think most negative articles are not fully understood by the authors and are written with a very narrow perspective. But what I do send out is important to anyone in the industry. That is my criteria and the only reason I send anything out. I think it is important to know. Remember, this industry's future is your future. The world of publishing is not going to evaporate. I think it will grow and prosper, in fact, I guarantee it.

Well, there you go. Am I wrong? What do you think?

Sunday, August 10, 2008

Discovering Magazine Profit in Sustainability


Discovering Magazine Profit in Sustainability
Wal-Mart has saved billions of dollars-can't we?
By Bob Sacks
http://www.pubexec.com
Does the current magazine business model have anything to do with sustainability? Not the ability to sustain ourselves as a business, but rather the new-age definition of environmental sustainability as defined by Wal-Mart. You remember Wal-Mart-the conglomerate that distributes nearly 25 percent of all newsstand titles? Oh, yes, you remember Wal-Mart-the mega-discount retailer that recently cut 1,000 magazine titles from its roster. But did you ever wonder why it did that?

As I found on the Wal-Mart Web site, "through sustainability, Wal-Mart has saved billions of dollars in costs and has begun to drive profitable product innovation. Our goal: Offer our customers an increasing volume of affordable, sustainable products that help them live better every day."

Wal-Mart wants to improve the quality of life for people on a global basis. Wal-Mart is preaching and insisting on accountability for sustainability with all vendors.

This may sound like corporate rhetoric, but it isn't. Wal-Mart is serious. It has discovered profit in the new mantra of sustainability. It has saved $10 billion in improved, sustainable packaging. It has increased efficiency in its truck fleets by 15 percent. It is in hot pursuit for two reasons. One, it makes good business sense. The savings that it is experiencing are dramatic and have been achieved by many other companies as well. Two, the public has come around to the concept and now is starting to demand sustainability in the products it buys.

The U.S. Environmental Protection Agency states that sustainable development marries two important themes:

1. environmental protection does not preclude economic development; and

2. economic development must be ecologically viable now and in the long run.

What does this have to do with magazines? Everything! We are not yet a sustainable business under Wal-Mart's definitions. This is an important concept for us to recognize. I have been ranting for years about our inefficient distribution system. I have also said that if we don't fix it from the inside, outside forces will fix it for us. Well, there you have it; those forces are in action as we speak. Do you think this sustainability movement will just go away? Do you wish to continue with business as usual? Are you developing a distribution plan for the future? And by the future, I don't mean your next issue-I mean next year and the years after that.

Proven sustainability may be legislated and forced upon all businesses. There is legislation circulating in Washington, D.C. right now that demands an 80-percent reduction of carbon footprints. How would you accomplish that reduction? Wal-Mart, the distributor of 25 percent of our newsstand product, is demanding efficiencies, and now the government is, too.

The future of print publishing, if we are to have one, must address sustainability issues. How "green" or environmentally friendly is a publishing process that prints 10 magazines, sells three and then sends seven to landfills, or at best, re-trucks the unsold copies to a pulping facility to be re-trucked back to a mill, to be converted to paper and re-trucked back to a printing plant? Deleted digits (as in digital 1s and 0s) do not require diesel-burning trucks to haul them away, and old digits do not fill up landfills.

I hope you can agree that from a "green" perspective, publishing is not yet a sustainable business.

So with the rising costs and earth-unfriendly nature of our manufacturing and distribution of formerly living trees, and with the increased acceptability and functionality of digital products like e-paper, the path to successful publishing is very clear. To me, the quick route to a drastic reduction in our carbon footprint is adopting the philosophy of 100-percent retail sell-through-a no-return, newsstand-based business. This concept horrifies some professionals. (It's more the fear of the unknown than the actual facts of the process. Jobs will change, responsibilities will change and business models will change, and people abhor change.) But at the end of the day, and before the end of our business and our planet as we know it, it is an inevitable and eco-friendly distribution model. After the horror of this transformation is over, we will save billions of dollars and perhaps the industry as well.

Bob Sacks (aka BoSacks) is a printing/publishing industry consultant and president of The Precision Media Group (BoSacks.com). He is also the co-founder of the research company Media-Ideas (Media-Ideas.net), and publisher and editor of a daily international e-newsletter, Heard on the Web. Sacks has held posts as director of manufacturing and distribution, senior sales manager (paper), chief of operations, pressman, circulator and almost every other job this industry has to offer.

Wednesday, August 06, 2008

What if Ebooks Were the Dominant Platform?


BoSacks Speaks Out: My friend Rex Hammock posted the following on one of his Blogs.
"What if Samir Husni & Bob Sacks Swapped Sides?
This post about trying out a "technology flip test" ( See Below) in which eBook advocates become defenders of paper and vice-versa made me think of the longest-running debate on the magozinosophere. Bob, Samir, give it a shot."

I responded back to Rex somthing like this:

I will take the challenge any time and any place. I love the whole concept of it. What a wonderful debate it could/would be. So long as Samir doesn't cheat. You know what I mean, we accept the challenge, we both do our homework and we both try to win . . . Except if Samir doesn't try to win too hard, I lose the long term real debate by winning the flip test debate. Not that Samir would do anything like that, you understand.
So, Samir, will you take the side that digital will win?
BoSacks
-30-
Insanity -- a perfectly rational adjustment to an insane world.
R. D. Lang

What if Ebooks Were the Dominant Platform?
Posted by Mac Slocum
http://toc.oreilly.com/2008/08/what-would-the-world-be-like-i.html
I recently came across an old blog post from Harvard Business School professor Andrew McAfee that discusses the utility of the "technology flip test". McAfee writes:

At a conference years back I was sitting on a panel that was asked to talk about future of the book. As the discussion was heating up about the inevitability of the electric media, someone on the panel (I wish it had been me) proposed a flip test. He said "Let's say the world has only e-books, then someone introduces this technology called 'paper.' It's cheap, portable, lasts essentially forever, and requires no batteries. You can't write over it once it's been written on, but you buy more very cheaply. Wouldn't that technology come to dominate the market?" It's fair to say that comment changed the direction of the panel.

The ebook vs paper flip test is intriguing for a number of reasons:

It inverts the offense and defense: Ebook advocates become defenders and paper-book supporters become disruptors. Shaking off the vestiges of a default argument is always a good idea -- think of it as a "debate cleanser."
It amplifies the strengths of each format . . . initially: When I ran through the flip test on my own, I at first honed in on the cost savings of ebooks (no paper, no printing, no shipping) and the sensory aspects of print books. But further review revealed deeper complexities to this debate. And that led me to . . .
It upends assumptions: Print's dominant position in the real world causes me to challenge pro-print arguments, most notably the tactile experience overreaction that often derails discussions. But placing ebooks in the hot seat gave me a new perspective on ebook defenses. For example, if my default reading environment was electronic and networked, would I want (or need) a disconnected outlet? Would I crave solitude and a languid pace? Does the upside of ebook economics supersede the other reading/storytelling experiences I'm looking for, or would I welcome a print alternative the way I now welcome an electronic option?
What's your take on the flip test? Does inverting the argument open the discussion, or is this a diversionary trick that detracts from the issues at hand? Please share your thoughts in the comments area.

(Original idea and McAfee link via Reading 2.0 list.)

Sunday, August 03, 2008

Women's fashion mags use premiums as weapons in war for customers


BoSacks Speaks Out: With all the talk last week of Esquire magazine and the "gimmick" of them putting e-ink on the cover for the first time ever by any publishing house. I thought his might be a fitting addendum. I guess it only fair to point out that this is not a domestic newsstand story.

When Alexander the Great visited Diogenes and asked whether he could do anything for the famed teacher, Diogenes replied: 'Only stand out of my light.' Perhaps some day we shall know how to heighten creativity. Until then, one of the best things we can do for creative men and women is to stand out of their light.
John W. Gardner (1912 - 2002)



Women's fashion mags use premiums as weapons in war for customers
Tomoko Nishida / Yomiuri Shimbun Staff Writer
http://www.yomiuri.co.jp/dy/features/arts/20080801TDY17003.htm


Have you noticed that women's fashion magazines have become very thick recently? It's because they come stuffed with various premiums, often brand name goods. They include handbags, hair accessories, fans and beach shoes. The freebies are a marketing strategy used by publishing companies in reaction to women reading fewer and fewer such magazines. But are they really effective in attracting more readers?

Shueisha Inc. added a minibag by an American fashion designer to the July issue of More. The issue sold 560,000 copies, or 10,000 to 20,000 copies more than usual.

The July issue of Sweet, published by Takarajimasha Inc., sold 460,000 copies. It came with a pair of makeup bags bearing a famous Japanese brand name.

Shueisha is planning to make Seventeen, now published twice a month, a monthly magazine beginning with the September issue. Editor in Chief Yoshiharu Koshizaki said the magazine will have a premium every month, partly in an attempt to "prevent readers from sharing one magazine between them."

The "premium war" is a result of publishers' ability to collaborate with brand names and companies in designing the premium goods. Most of these items are developed especially for the magazine promotions.

In the case of magazines that come with premiums as "main products," the giveaways included a camisole or even a collapsible umbrella.

Last spring's relaxation on rules on giveaways by the Fair Trade Commission also is believed to have accelerated the trend.

The relaxation doubled the 100 yen maximum value of premiums for magazines priced at less than 1,000 yen. But publishers are believed to have been able to keep the production costs lean since they can have giveaways made in low-labor-cost countries, even when carrying brand names, as they are collaboratively produced, original products.

Takarajimasha began adding premiums to all of its magazines last year. Thanks to the move, the circulation of In Red increased from the 100,000-level to the 300,000-level.

That of Sweet also rose from the 200,000-level to the 400,000-level.

Takarajimasha spokesperson Keiko Sakurada said the premiums are "a priority investment for increased circulation."

Kazuhiko Sato, the head of the editorial department at Shufunotomo Co., which publishes Mina and Ray among other periodicals, said the company wants to utilize the appeal of giveaways so that "readers can get something."

There was an earlier boom in luxurious magazine premiums in 2001, when the Japan Magazine Publishers Association relaxed rules on the material and size of premiums. But some magazines were suspended or discontinued after suffering from poor sales of issues that came without giveaways.

That's why publishers place high hopes on collaboration this time. But Sato admitted such projects require a lot of time and effort, and More Editor in Chief Junko Sugino said she wants readers choose the magazine because of its articles.

According to the association, sales of women's magazines decreased by about 30 percent last year from their peak 10 years ago. Association official Kenji Takahashi said: "Premiums are important elements that decide the sale of magazines in this era of weak sales.

"But it is ideal if the premiums are an extension of the content of the magazine."

Tuesday, July 29, 2008

BoSacks Speaks Out: Why Esquire Mag is your Future?


BoSacks Speaks Out: Why Esquire Mag is your Future?

BoSacks Speaks Out: Please, let's not all get crazy at the same time. So many people are over-reacting to the announcement that Esquire is using e-ink on their cover that I almost don't know where to begin. But almost isn't don't know.

First and foremost, this is a clever magazine cover gimmick for a 75th anniversary cover. Period, end of story, except for all the brouhaha. They deserve to do something special. And e-ink is going to be something special. In this case it is underutilizing the power and the possibilities of e-ink, but what the heck? You have to start somewhere. And this year our industry starts here on the cover of Esquire with a flexible, magazine-bindable production of e-ink.

We as an industry have been inserting and on-serting for generations. Believe me I know, as I was partly responsible for the AOL onslaught of on-serting and inserting first fragile plastic diskettes and then CD's into magazines. The computer and music sectors have been doing this for years. The women's service groups have inserted hundreds of items including such nutty ideas as shampoo samples which in the course of palatalizing squished and squeezed the samples all over the printer's bindery floor. So ease off on the condemnation that gimmicks are something new or distasteful.

And the same thing is true for the carbon footprint. Why is Esquire being singled out?
I'm the first to admit that we have been reckless as an industry when it comes to carbon foot-printing and inefficiencies, but to single out a single publisher . . . . pure and absolute rubbish. Anyone who is starting to condemn a single gimmick in a single magazine doesn't know the industry, the history, nor the true story of magazine sales and magazine production.

E-ink or e-paper is special, in fact it is very special, and it is an integral part of the future of the magazine business. If we are going to have a big future at all, it is going to be digital. We will combine the ease of use of digital editions of magazines with the portability of brilliantly colored WiFi connected epaper, with a drastically lower carbon footprint than today and dramatically reduced manufacturing costs. What's not to like? What part don't we understand?
Publishers sell words and thoughts, not paper and printing? For those who need to hear me say it again, printing ink on paper is not going to go away; it is also not going to be the dominant distribution vehicle of information.
BoSacks
-30-


Esquire's Granger: Magazine Medium 'So Compelling We All Should Do More with It'
Editor responds to news of flashing anniversary cover.
Jason Fell
www.FolioMag.com

Since the report last week about Esquire's flashy e-paper October anniversary cover-and our follow-up on the technology behind it-I've been hearing/reading a lot of negative opinions about it.

One Web site called it obnoxious. Rex Hammock said it was "the worst use of technology by a magazine." Fast Company, in a blog post, estimated that the manufacturing process increases the issue's carbon footprint by 16 percent over other typical print publications. But, if you ask Esquire editor-in-chief David Granger, the technology could help revolutionize the way we read magazines, beyond the printed page and online.

"When I talk to groups I sometimes speak about the days I had when I'd get the new issue of Esquire and go through it and think to myself, 'Fuck, it's still a magazine,'" Granger said in a recent interview with FOLIO:. "What I mean is that the medium is so compelling that I and we should all be able to do more with it. The magazine experience is one of the last remaining opportunities to enter a hermetically-sealed world, an edited experience of our culture created by someone else. And, more importantly, it's an experience that encourages you to stay in it rather than constantly bounce in and out of it.

"We have an amazing medium, print, and if we can enhance the experience of it by putting new technology to use, then all the better," he said.

Bob Sacks, an industry consultant and frequent proponent of technology, says that Esquire's flashy cover may be a small step overall but offers a glimpse of what's to come in the next few years.

"It's not a representation of what e-paper was designed for, but doing the cover is the right thing to do," Sacks says. "It will be a demonstration of what it can be used for. In the near future we all will have flexible e-paper readers in our pocket and will be able to access all the magazine and books you want."

Right now, the technology is expensive and, if you believe Fast Company, not very green. Granger says that, with time, he hopes the technology will become cheaper. Maybe, after some refining, the application will become more realistic and environmentally-friendly, too.

----------------------------------------------------

The Real Cost of E-Ink
posted by Anya Kamenetz
http://www.fastcompany.com/blog/anya-kamenetz/green-friday/real-cost-e-ink


An article in the New York Times earlier this week described an effort by the legendary print magazine Esquire to make "a nod to the digital age" by using something called E Ink on its cover. That's pretty much what it sounds like: electronic ink, so the cover can blink like a Times Square billboard, as opposed to a staid old highway billboard.


One problem: Did anyone stop to consider the environmental implications? Check out this description of the process, from the Times article:


The batteries and the display case are manufactured and put together in China. They are shipped to Texas and on to Mexico, where the device is inserted by hand into each magazine. The issues will then be shipped via trucks, which will be refrigerated to preserve the batteries, to the magazine's distributor in Glazer, Ky.
Editor David Granger described it as "a 21st-century technology" combined with "a 19th-century manufacturing process." Can't argue with the second part, at least. The article goes on to note that this process is expensive, and hence requires sponsorship from a Ford SUV (not exactly a 21st-century technology itself). But what about the other cost . . . the carbon one? Some back-of-the-envelope calculations show it's not small, and Ford's not picking up the tab.


Let's start at the beginning. According to the article, "The batteries and the display case are manufactured and put together in China." The manufacturing phase is the biggest question mark in the life cycle of any product. According to life cycle analysis by Nokia, the manufacturing phase, alone, of another battery-powered electronic device, their 3G phones, is responsible for 12.3 KG of CO2 equivalent per unit. Granted, the E Ink display is a lot simpler and uses much less material than a cell phone, so let's say the carbon footprint is one-tenth as much-1.2 KG per user. That would be 135 tons of CO2 for the entire run of 100,000 devices.
Next, the devices will be shipped to Texas. According to E-Ink, a comparable prototype device weighs about 150 grams (5.3 ounces). According to the calculator on ShipGreen.net, shipping 100,000 of those overseas from Shanghai to Houston is worth another 2.6 tons -189 tons if they for some reason chose air freight.

From there, the little magic doohickeys will make their way to a Mexican maquiladora (where the work conditions are certain to be just lovely-ditto the Chinese factory) to be inserted by hand into the magazine covers (1.28 tons from Houston to Monterrey, Mexico), and from there, the completed issues, about one-third heavier than normal, will travel about 1,400 miles to the magazine's distribution center in Kentucky (11 more tons). Oh, and because of the delicacy of the electronics, they'll have to travel in refrigerated trucks. Certain kinds of refrigeration units can consume a half gallon of fuel per operating hour - that's an additional 10 gallons for that 20 hour trip-per truck. So for 5 trucks (let's say), the refrigeration adds about another half a ton. Then the blinking magazines go to their final destinations.

So . . . the total outlay in greenhouse gas emissions for this little experiment-again, this is based on loose estimates-comes to 150 tons of CO2 equivalent, similar to the output of 15 Hummers or 20 average Americans for an entire year, and a 16% increase over the carbon footprint of a typical print publication (based on calculations by Discover Magazine, Time, and In Style). The potential environmental impact of the E Ink covers increases even more when you consider that the units are designed to be disposable after one use and they'll make it more difficult or impossible to recycle the paper portion of the magazines.
Maybe Esquire should go back to the drawing board for a truly forward-looking concept of the possibilities of print. Fast Company would be glad to advise them on where to go to get printed on 100% recycled paper

Thursday, July 24, 2008

News Flash From the Cover of Esquire: Paper Magazines Can Be High Tech, Too


News Flash From the Cover of Esquire: Paper Magazines Can Be High Tech, Too
By TIM ARANGO
http://www.nytimes.com/2008/07/21/business/media/21esquire.html?_r=1&ref=business&oref=slogin

On the third floor of the Museum of Modern Art in Midtown Manhattan rests a tribute to Esquire's glory years - a collection of 92 covers from the 1960s and early 1970s that have become, in the museum's words, "essential to the iconography of American culture."

That illustrious history hangs over the magazine's effort to celebrate its 75th year. Its attempt to add to the annals of museum-worthy covers includes a nod to the digital age: an electronic cover, using admittedly rudimentary technology, that will flash "the 21st Century Begins Now," when it appears on newsstands in September.

"I hope it will be in the Smithsonian," said David Granger, Esquire's editor in chief, in a recent interview while showing prototypes of the cover - an early version has a cord sticking out that attaches to a battery pack.

If it does wind up in the Smithsonian, it will need a power source; on its own, the magazine will run out of juice after 90 days. Mr. Granger knows some will see the cover as a gimmick - but he says he thinks the technology behind it, which has been used for supermarket displays but never embedded in a magazine, speaks to the possibilities of print.

"Magazines have basically looked the same for 150 years," Mr. Granger said. "I have been frustrated with the lack of forward movement in the magazine industry."

Pointing to the prototype sitting on a conference room table, Mr. Granger said, "The possibilities of print have just begun. In two years, I hope this looks like cellphones did in 1982, or car phones."
The company that produced the cover, E Ink, has a track record of innovation - its technology is used in Amazon.com's e-book device, the Kindle. E Ink, a private company based in Cambridge, Mass., counts Hearst, Esquire's parent, as a major shareholder.
"In 2000 or so, we went to Cambridge to see if they could demonstrate the technology," Mr. Granger said. "They were doing store displays, so it was premature for a magazine."

Two years ago, at a Hearst management retreat, Mr. Granger again raised the idea. This time it would be possible, he was told, if Hearst invested seed money to create a battery small enough to fit in a magazine.
"This is really the 1.0 version," said Kevin O'Malley, Esquire's publisher. "Imagine when the consumer walks by a newsstand and sees that it is alive."

Digital technology holds the promise of making the dissemination of information much easier and cheaper - no paper, no trucks - but this experiment by Esquire was the opposite.
"The whole chain had to be reinvented," said Peter Griffin, the deputy editor. "The interesting thing is it has almost nothing to do with the normal way of putting out a magazine."

First Esquire had to make a six-figure investment to hire an engineer in China to develop a battery small enough to be inserted in the magazine cover. The batteries and the display case are manufactured and put together in China. They are shipped to Texas and on to Mexico, where the device is inserted by hand into each magazine. The issues will then be shipped via trucks, which will be refrigerated to preserve the batteries, to the magazine's distributor in Glazer, Ky.
"We are trying to combine a 21st-century technology with a 19th-century manufacturing process," Mr. Granger said.

All of this, of course, is expensive. Which is why it was necessary for Esquire to find a sponsor. In stepped Ford Motor, which will have an advertisement on the inside of the cover that will use the same technology to promote its new minivan-sport utility vehicle, the Flex.

"We wanted the marketing plan for this vehicle to include motion as much as possible," said Usha Raghavachari, communications manager for S.U.V.'s for Ford North America Marketing. "We had a desire to make our marketing launch as unique as the vehicle. This makes our print plan a little more energizing."

Esquire has exclusive use of E Ink's technology for use in print through 2009, and Mr. Granger said he hopes to come up with new ideas for it. "This is probably just a limited view of its use," he said.
The electronic cover will be used in only 100,000 copies that go to newsstands - its overall circulation is about 720,000.
What Esquire is doing harks back to a big splash National Geographic made in 1984 when it introduced holography to the mass market by placing a hologram of an eagle on its cover.
Holograms did become widespread in things like greeting cards, even if they did not upend the publishing world.

"Part of the iconic DNA of the magazine is our covers," said Mr. O'Malley, Esquire's publisher. "I fully expect that in 25 to 30 years, this cover will be in a museum."

Monday, July 21, 2008

I Read the News Today... Oh Boy


I Read the News Today... Oh Boy
the liberal media
http://www.thenation.com/doc/20080804/alterman
By Eric Alterman

This article appeared in the August 4, 2008 edition of The Nation.

Spend some time on the "future of news" conference circuit, as I have recently, and believe me, you'll need a drink and perhaps a Prozac. The flight of readers and advertisers to the web has led to an unprecedented assault on stockholder value, making newspapers the investment equivalent of slow-motion seppuku. For instance, on July 11 Alan Mutter's invaluable Reflections of a Newsosaur blog reported that in "perhaps the worst single trading day ever" for the newspaper business, "the shares of seven publicly held newspaper companies today plunged to the[ir] lowest point in modern history." When these losses continued to accelerate, Mutter calculated that newspaper stocks had shed an amazing $3.9 billion in value in just the first ten trading days of July, leading to the disappearance of more than 35 percent of these companies' combined stock price in 2008 alone.

It's been nearly two and a half years since the much-missed Molly Ivins observed of media moguls that, "for some reason, they assume people will want to buy more newspapers if they have less news in them and are less useful." And yet the strategy continues unabated. The Los Angeles Times just announced that it will cut loose another 250 people, including 150 in the newsroom--this on top of a series of job cuts by the previous owners, which led to a revolving door of resigning editors and publishers who could not in good conscience carry out the cuts demanded of them.

As a result of this avalanche of industrywide layoffs, buy-outs and firings, Mutter notes, the industry's age-old ratio of one journalist per thousand papers in circulation is about to disappear. But as a contributor to Romenesko pointed out, this is "a self-correcting mechanism. As subscribers find less and less to read because newspaper staffs are thinned too much to produce quality copy, subscriptions will lapse and the ratio will be restored--until, of course, additional layoffs refresh the cycle."

For those who embrace the now omnipresent mantra that the staff will simply have to "do more with less," blogger Kevin Roderick of LA Observed notes, "Yes you can put out a good paper with 700 staffers--but not a better paper than the one paying customers are already fleeing."

Corporate responses have also included: asking an already dispirited staff to take a 10 percent pay cut (the Boston Globe); raising the newsstand price by 33 to 50 percent (Gannett, the Wall Street Journal); drastically reducing the newspaper's news/advertising ratio (all Tribune papers); turning the paper's Sunday magazine over to the business staff (the Los Angeles Times); reducing the physical size of the newspaper and cutting down on the news hole (everyone); buying out experienced, knowledgeable staff members and replacing them with underpaid novices (everyone); and closing foreign and national bureaus (almost everyone). Virtually the only expense still intact is executive pay. On the Recovering Journalist blog, Mark Potts notes that the average compensation among the thirteen public-company newspaper CEOs was just under $6 million a year in 2007, according to corporate proxy filings with the SEC. These figures, one can only conclude, are entirely unrelated to performance.

The dearth of decent ideas designed to save newspapers--or reinvent them for the digital age in ways that preserve their crucial democratic functions--is curious and depressing. It's curious because some of the smartest, most ambitious and most civic-minded people in America are deeply engaged with the problem. It is depressing because the only ones with the self-confidence to undertake radical measures appear to be completely off their respective rockers.

Take the example of the Tribune Company's new owner, Sam Zell. Leaving aside his penchant for potty-mouth rejoinders for those who question his judgment, Zell has done nothing to slow the slide in the company's fortunes and much to accelerate it. Scrambling like mad for cash to service the company's debt, Zell sold off the profitable Newsday and borrowed $300 million against future earnings, a clear sign of panic. To advise him on long-term strategy, he has appointed as "chief innovation officer" Lee Abrams, a man who was apparently surprised to learn that reports datelined "Baghdad" are actually produced by reporters in Baghdad. His suggestion: "photos of the reporter with Iraqi kids" to advertise this fact.

Writing on his blog, Abrams mused that newspapers were "TOO NPR," (caps in original), which he found "a bit elitist." He would rather have newspapers "study the feel of a well honed All News Radio station," which he defines as "being INTELLIGENT... not intellectual."

The more one listens to the men and women at the top of the industry, the more it becomes obvious that the survival of the newspaper--the primary information-gathering and knowledge-disseminating instrument of American democracy--is going to have to come from somewhere else. Sure, the blogosphere makes some invaluable contributions and a few foundations are rising to the challenge of funding investigative journalism. Carnegie Corporation president Vartan Gregorian recently suggested to me that universities might attach a small fee to their students' tuition--like an activities fee--to pay for the newspaper subscription of their choice. This would improve the newspapers' bottom line, give their advertisers access to a coveted demographic and, if successful, would inculcate in the students the habit of newspaper reading as they approach maturity as voting citizens. It's a great idea, and unlike most of what one hears at these conferences, it is on scale with the problem. Unfortunately, young people do not appear to want to pick up a newspaper, even for free. They often leave them lying around, even at journalism schools, where they are distributed gratis.

I don't have a better idea, except to repeat, again, the following: the loss of daily newspapers is a significant threat to the future of our democracy. It is far too important to be left in the hands of a bunch of clueless media moguls and their "chief innovation officers."

About Eric Alterman
Eric Alterman is a Distinguished Professor of English, Brooklyn College, City University of New York, and Professor of Journalism at the CUNY Graduate School of Journalism. He is also "The Liberal Media" columnist for The Nation, a senior fellow and "Altercation" weblogger for Media Matters for America, (formerly at MSNBC.com) in Washington, DC, a senior fellow at the Center for American Progress in Washington, DC, where he writes and edits the "Think Again" column, a senior fellow (since 1985) at the World Policy Institute at The New School in New York, and a history consultant to HBO Films.

Thursday, July 17, 2008

What Mainstream Publishers Don't Want You to Know About Door-to-Door Magazine Sales


BoSacks Speaks Out: This is not a repeat of last week's magazine circulation story but an incredible in-depth journalistic article about many things. It is about teens, people, greed, rape, murder and the glue that binds this whole story together is the selling of magazine subscriptions. We all know that these kids could be selling anything and the story wouldn't change that much and there are probably other industries that parallel our own here in this tale. But I don't work for other industries. I work for the magazine industry.

This author is critical of our industry and especially the voice of the industry as represented here by the MPA. It discusses in good detail how CPMs are factored and how the door-to-door subscription business is lucrative . . . for some but not all. Definitely Not All.

The author also noted that some publishers and some other industries have completely stopped the door-to-door practice. Should we? I admit that I don't know enough of the real nitty-gritty, the genuine details to have a firm opinion, because I have never handled that particular part of a circulators domain.

Please send me your comments and any special insider knowledge you have on this subject to share with our readers.
BoSacks
-30-


What Mainstream Publishers Don't Want You to Know About Door-to-Door Magazine Sales
By Craig Malisow
http://www.houstonpress.com/2008-07-17/news/what-mainstream-publishers-don-t-want-you-to-know-about-door-to-door-magazine-sales/full

That kid at your door with a magazine order form will tell you a story -- part sad, part hopeful. The truth will be infinitely worse than you can imagine.

In the Ramada Inn, across I-10 from Ikea, dozens of young sales agents spill out of vans and head for the first-floor conference room. They're in their late teens and early twenties, tired from a long day of selling magazine subscriptions door-to-door, but excited about the money they think they're going to get.
In the conference room, a line of ­middle-aged managers sit behind folding tables and count the stacks of receipts and cash their agents place before them. It's a ton of money. The crews hit Houston in late February, it's near the end of March now and it's been a lucrative stay. Houston is always a windfall.

It's been a tough hop for this caravan of sales crews, though. Winding their way down from California, they lost a few agents. Two were arrested in Albuquerque after they allegedly forced their way into the home of an elderly couple and beat them to death, raping the wife first. A few weeks later, another agent allegedly raped a woman in Claremont, California, so he got picked up, too. Then, in West Texas, a van flipped, killing one agent and injuring three others. That's seven agents out of commission. That's about a $2,800 loss per day.

After they turn in their cash and receipts, two agents, a pudgy girl and a lanky guy, hit the parking lot for a smoke. Two Houston Press reporters are there, observing. Without knowing they're talking to reporters, the agents walk over and ask for rolling papers. When asked what they're doing in town, the agents explain their job and how much they love it. It's a blast, they say. You lie all day to sell subscriptions, and you unwind afterward with some smoke. You tell the customers that you live a few streets over, that you go to the local school and play on the soccer team, that you just sold subscriptions to their neighbor, and the idiots buy it because by now you've got it down to a science. And on to the next town. And the next.

In the eight months the Press investigated door-to-door magazine sales across the country, the industry has seen at least three murders, one rape, two attempted rapes, one stabbing, one attempted murder, one vehicle fatality and one attempted abduction of a 13-year-old girl.

Interviews with former agents reveal a constant party atmosphere where agents have easy access - often thanks to their managers - to drugs. The agents come primarily from two populations: reprobates who need to leave wherever they are fast, and vulnerable kids from unstable families who believe that hopping into a van full of strangers is better than what awaits them at home.
Crystal Mahathy is an example of the latter. In 2000, the 17-year-old crossed paths with a Texas-based magazine crew manager named Rick Senner.

Rick Senner got his start working for Russell Wood, one of the industry's biggest names. Senner started as an agent under Wood, who's based out of the hinterland of Pilot Point, Texas, about 50 miles north of Plano. Senner worked his way up from agent to crew manager, and later left to start his own company. When he's not on the road, Senner is with his wife and daughter at their home in Gainesville, just a few miles from Pilot Point.

Senner's crew was working Mahathy's hometown of Fort Wayne, Indiana, when he spotted her in an Arby's and figured she would make a good agent. Senner is six-one, blond, handsome and has the kind of confidence that allowed him to shrug off things like the warrant for his arrest out of Phoenix, where he was busted for weed and was a no-show at court. He offered a way out of Fort Wayne, and a way out of Mahathy's mixed-up family life. But first, because she was under 18, Senner wanted her mother to sign a permission slip. Because her mother is illiterate, Mahathy got an older cousin to sign for it instead. With that taken care of, she was able to hit the road. She made money for Senner, who made money for his boss, who in turn made money for major-league publishers.

Like many agents, the teenage Mahathy didn't know what she was getting herself into and how hard it was going to be to get herself out of it. Senner and his colleagues have a great sales pitch, and truth doesn't always close the deal.

Agents are often driven across the country by managers whose driver's licenses have been suspended or revoked. And while the industry's trade group says it encourages member companies to conduct background checks, the crews are overflowing with agents with open warrants, extensive criminal histories and probation terms that prohibit them from leaving their home state. Since its inception in 1987, the National Field Selling Association has not only done nothing to clean up the crews, it has lobbied against proposed legislation that would implement the most basic of safety regulations and prohibit the hiring of underage employees.

While mainstream publishers and their trade group, the Magazine Publishers Association, say door-to-door sales account for a minuscule percentage of annual sales, this seemingly small percentage still translates into millions. It's profitable enough to publishers like Condé Nast, Reader's Digest and others that they still consider door-to-door sales a worthwhile venture in the 21st century. And without publishers' participation, the industry would cease to exist. Which means, quite simply, that publishers have decided the collateral damage is worth the boost in circulation.
The following is a story of that collateral damage - of murder, rape, assault, overdoses and scamming - and the business decisions and lack of legislation that make it possible.
_____________________
In February 2000, Rick Senner, Crystal Mahathy and the rest of Senner's crew hit a rave party in Oakhurst, California, where they recruited an 18-year-old girl named Mandy Nixon.

When Nixon told her parents she wanted to drive around the country with Senner's crew, they were concerned. Nixon was a bit of a rebellious spirit. As a minor, she had trouble with drugs and alcohol and wound up on juvenile probation for a while. But Crystal Mahathy, who had turned 18 on the road, told the Nixons she'd look out for their daughter.

But a day or so after Nixon left, her parents read about the history of complaints online about All-Star Promotions, Senner's employer, and they grew concerned. They called Senner a few times to have him drop off their daughter wherever they were so they could bring her back home. But he ignored the calls. Deciding they needed more muscle, they had Nixon's former probation officer call Senner and tell him he had better get Nixon off his crew, so he dropped her off by a motel outside Medford, Oregon.
Although Mahathy said she'd look out for Nixon, Mahathy was having her own regrets about joining Senner Sales. She had called her Aunt Patsy a few times from the road, saying she wasn't getting the money she was promised, and she wasn't eating regularly. She wanted to come home. But Patsy never seemed to have the money for a Greyhound ticket.

On February 4, around the time Senner dropped Mandy Nixon off in Medford, Mahathy called Aunt Patsy from a pay phone outside a Wal-Mart. It had been a really long day; she hadn't made enough sales, and she felt really pressured. That time, Patsy told her to stay put. They'd get her a ticket. But the call was abbreviated; Mahathy had spotted Senner's rented Ford Explorer and she said he'd be mad if he found out she was calling home again. She'd call back later.

The next night, on their way to sell to Joneses in Eureka, California, Senner's crew was stopped by California Highway Patrol officers for driving 30 mph over the speed limit. Apparently unaware that Senner had a warrant for pot possession out of Phoenix, the officers gave him a citation and let him go on his way.
Less than an hour later, near Redding, Senner rounded an especially dangerous stretch of mountain highway running parallel to the Trinity River. With no guardrail, and with terrible visibility at night, the road had seen its share of accidents. Senner lost control of the Explorer and drove off the highway, falling into an embankment 80 feet below.

Passenger Scott Tarwater was ejected into the Trinity River, whose rapids carried him so far away his body wasn't found for three weeks. But a timely burial wasn't a problem for Mahathy's family, because she was right there in the passenger seat. Crushed to death.
_____________________
Whenever there's a tragedy tied to the industry, whether it be the death of one of the agents or of one of the customers, the industry mouthpieces issue impotent condemnations or reiterate the notion that door-to-door sales are just a sliver of the pie.

The Magazine Publishers of America will give a variation of the following, which is a statement it gave to the Press: "Magazine Publishers of America condemns any door-to-door business that preys on vulnerable individuals or poses a threat to the public. [MPA] has long urged its members to identify any subscriptions coming from these sources and recommends that its members cease doing business with any company that does not fully comply with the law. Our guidelines and relations with subscription agents are clear, and we encourage all our members to follow them."
Which, based on the Press's investigation, previous media stories and industry watchdogs, is complete nonsense. The object is to push subscriptions, and it scarcely matters how.

A customer is a "Jones." A sales pitch is a "spiel," and there are all kinds of spiels - a school-spiel, cancer-spiel, you name it. These lies are known as a dirty canvass, and they're quite successful. Of course, there are natural salespeople who don't have to dirty canvass and can write ten or 12 sales a day, but the agents who can't snow a Jones and who come back empty-handed are known as WABs, weak-ass bitches. A WAB occupies a stratum in the caste system right below circus freak and just above whore. No one wants to be a WAB, so sometimes you have to dirty ­canvass.
If the MPA is unaware of dirty canvassing, then its only other choice is to somehow believe that door-to-door companies are the country's single-biggest employer of college athletes in the marching band whose parents are dying of cancer and who are competing for a scholarship to study theater in London.

It's easier to understand the continued interest in door-to-door sales once you understand the financials.
Jack Hanrahan, a media consultant with three decades of experience in print advertising, publishes the CircMatters newsletter. He gave us a better understanding of how just a slight bump in circulation can mean serious money.

When magazines decide how much a page of advertising will cost, media buyers convert that into a ratio of cost-per-thousand.
Say the publisher of a magazine with a circulation of 1 million copies prices each page of advertising at $50,000. That's a cost-per-thousand of $50. Say the circulation jumps 50,000, which brings total circulation to 1.05 million. If the publisher keeps the cost-per-thousand at $50, that raises the single advertising page rate to $52,500 ($50 x 1,050).

If the magazine sells 100 pages of advertising per issue, then the total value of the 50,000 jump would be $250,000 per issue. ($2,500 per page x 100 pages). If the magazine runs 24 issues a year, that's 24 x $250,000 - $6 million, from an extra 50,000 copies.

That's enough incentive to keep using sales agents. Of course, publishers don't want to be linked to any of the kids knocking on the doors, so the system has been arranged to keep everyone at arm's length.

It works like this: Agents knocking on doors turn their sales receipts in to their managers, who send them off to clearinghouses. A clearinghouse submits the subscription orders to the publishers, who then mail out the magazines. The clearinghouses choose which traveling sales crew companies to work with; the heads of those companies usually have their managers do the hiring. This arrangement allows the publishers, clearinghouses and road crew company heads to pretend they have nothing to do with the kids pushing the publishers' product.

The real blessing for everyone, though, comes in a labor loophole: Even though a crew's agents ride in the same vehicle, are dropped off in the same neighborhoods, are returned at night to the same hotels and have commissions held by managers who dole out the cash when an agent wants to buy lunch or alcohol or a new pair of shoes, labor laws have allowed company owners to hire their agents as "independent contractors." Since the crews rarely have solicitation permits, if they are arrested for selling without a license or for any other matter, they are instructed to tell authorities they are not in fact employed by the company they're traveling with.

The companies that run the crews primarily hire through newspaper advertisements promising big money and free travel. The ads are generally placed when the crew hits a town; the prospective hires meet a crew manager at a hotel and are usually hired on the spot. Although they're promised about $500 a week, their money goes on "the book," a mysterious ledger kept by crew managers. Often, agents will start out in the red, already owing managers hotel rent money. Managers also dock pay for canceled orders or other so-called infractions.

Agents sell from a "hot-list," laminated brochures of magazine titles, usually provided by clearinghouses, that agents show their Joneses. The agents work on a point system; the hot-lists show the points each agent would get for a particular subscription. For example, a 2006 hot-list from the National Publishers Exchange, one of the country's largest clearinghouses, shows 40 points for Reader's Digest and 80 points for GQ. According to the titles on the hot-list, the agents were selling for - and NPE was clearing orders for - Condé Nast, Disney Publishing, Meredith and others. (While the list also includes titles from Hearst, a company spokesman told the Press, "A written directive was sent in January 2007, but most clearinghouses were alerted to our policy against accepting orders from door-to-door 'crews' years earlier." A Meredith spokesperson said the company de-authorized door-to-door sales in March 2007.)

Every link in the chain holds the door-to-door sales information close to the vest. Citing proprietary interests, publishers will not disclose their clearinghouses, and clearinghouses will not disclose their contracted magazine crews. Since there are only a handful of major clearinghouses in the country, publishers would have you believe that, after years in the industry, higher-ups are too incompetent to have figured out who their competitors clear through.

National Publishers Exchange was a member of the National Field Selling Association (NFSA), the trade group for door-to-door magazine sales companies. In 2006, the association stopped disclosing its membership, so it's difficult to tell if NPE is still a member.

The NFSA will not say why it decided to keep membership private, but that's not surprising for a trade association that doesn't even have its own office - instead, mail and phone calls are directed to the Philadelphia office of Fernley & Fernley, which prides itself on being "America's First Association Management Company."

And while Ellen Buckley handles preliminary media calls for the NFSA, she doesn't seem to know a whole lot, mostly because she wears a lot of hats. While she may be listed as the "director" of the NFSA, she is also, for example, Administrative Director of the North American Horticultural Supply Association, which means she doesn't just field calls about mag crews, but could probably also help with questions about mixed perennials and potting soil.
So for tough questions, Buckley refers reporters to the NFSA's Washington, D.C., attorney, Dan Smith. Smith has lobbied for the group, most notably in 2000, when legislators proposed the federal Traveling Sales Crew Protection Act. The bill was a response to a 1999 wreck in Wisconsin that killed seven agents and paralyzed another. It occurred when the 20-year-old driver of the van - whose Iowa license had expired and who previously had his Wisconsin driving privileges suspended - saw a police car and panicked. Not wanting to get busted again, he tried to change seats with a passenger while driving 80 miles per hour. The coordination was a bitch. Twelve passengers were ejected. The owner of the company the crew worked for never skipped a beat - she just hired a bunch of new kids and started up under a new name. Smith was the guy who handled the lobbying against the proposed safety act - lobbying that worked.

The bill called for making sure crews stayed in hotels that met certain safety guidelines, and making the companies keep an itinerary of where their crews were at any given time. Such a schedule would have helped when, in Houston in 2005, a sales agent raped a 17-year-old mentally retarded girl who answered the door of the apartment she shared with her mother. To gain her confidence, that agent acted as if he had a disability as well. If the Traveling Sales Crew Protection Act had passed intact, there's a very good chance authorities would be able to find out which crews were operating in Houston on June 5, 2005. As it is, the case remains unsolved.

Although Smith says otherwise, when it comes down to it, the NFSA doesn't appear to do much except hold an annual conference in Illinois where members gather to play golf. Smith says actual work is accomplished at the conference, such as the year a cop talked to company owners about driving safety, and another year when a CPA discussed tax preparation. Smith says he's also given talks about negligent hiring. (After 20 years, the NFSA members are still scratching their heads over this pesky "driving safety" thing. Seven years before the fatal Wisconsin wreck, an agent driving a van with only a learner's permit lost control in Des Moines, Iowa, hit a median, flipped the van and ejected nine passengers. Five were killed, six others injured.) (see "Cataloguing Grief").

In its newsletters, the NFSA is careful not to mention names of the sales agents, particularly those who die on the job. In its fall 1999 newsletter, the first one released after the Wisconsin tragedy, the lead article was the president's message on "Stating the Cause for Utilizing Prepaid Phone Cards in the Field," followed closely by "Small Wonders," a reflection on "the simple discoveries of the century." Sample passage: "Where would we be without the brassiere, first patented in 1914, or the zipper, patented in 1913? Could those inventions be related?" (For the record, the sales agents killed in Wisconsin were Peter Christian, 18; Cory Hanson, 22; Amber Lettman, 16; Crystal McDaniel, 26; Marshall Roberts, 16; Malinda Turvey, 18; and Joseph Wild, 21. Monica Forques, 16, was paralyzed from the waist down).

Of course, it's different if one of their own dies, as in the January 2006 newsletter's tribute to founding member Don Fish: "The next time you pick up a golf club, look up and say, 'Good luck, Don' - he will be playing with the greats of the game." (The NFSA named its annual golf tournament after Fish, who had the opportunity to die at age 74).

Smith talks in a sort of aw-shucks manner that would have you believe he wishes the NFSA could do more to ensure the safety of its agents and the Joneses they solicit. But don't think the trade group is just giving up - after 20 years of existence, the NFSA is toying with the radical notion of mandatory background checks. The bitch is, the NFSA has to be really careful about violating antitrust laws that limit the rules trade groups place on their members. So Smith says the NFSA probably has to stop just short of forcing members to conduct background checks.
"We can mandate that in order to be a member you must agree to do background checks," he says, adding that the NFSA would have no way of confirming if any of the companies ever did the checks.

"We can't force proof," Smith says. "The name of the game is, we're a trade association...the key is, you can't tell people how to run their ­business."

Furthermore, Smith was at a loss as to how someone might be able to confirm a company did the checks in the first place.
Citing privacy laws, he says, "You can't conduct background checks and send copies to a trade association to show you did it," apparently unaware of the fact that one of the NFSA's board members runs a service that audits companies' criminal background checks.

"The name of the game is whoever's doing the recruiting has got to run the background check," Smith says. "They've got to determine from what they see whether or not to put this guy out there or not. Now if they do it and screw up, then shame on them, but I'll find out after the fact, just like you do. Now can I do anything about it? The worst thing, the toughest thing I can do is to terminate their membership. I wish there was something else I could do, to be brutally frank, but there isn't any."

But if Smith has the power to jettison any owner who gets caught not running checks, he apparently hasn't been introduced to the NFSA's president, Vinnie Pitts. In 2000, after one of Pitts's agents murdered a woman in New York, the woman's family sued Pitts, who eventually settled for $1 million. The woman's sisters told local papers that they believed Pitts would now conduct background checks for sure. But in 2005, another of Pitts's agents - who was on probation for felony burglary out of Minnesota and was not supposed to leave the state - raped and beat a woman in Wisconsin (see "Sales Force").
_____________________
Back in the Houston Ramada, 79-year-old Diane Tork is in Room 301, smoking 100s, punching numbers into her calculator, taking calls on her pink cell and sifting through names and numbers of potential hires. Age has been kind to her body, but not so much her mind.

She'll get confused and send wrong birthdates back to the home office for criminal background checks, but of course it doesn't really matter anyway, because the checks are worthless. Only a formality. The kind of checks where you really don't want to find anything.

Tork says she started in the business on December 21, 1945, when she was 16. She eventually ran her own company, then took over for a company out of Spring when that owner died in the early 1990s. She worked alongside her now ex-husband, John Tork, who is 20 years her junior.

John Tork also had his own company, the Houston-based Tork & Associates. In 1992, the Federal Trade Commission sued Tork's company for violating the "cooling-off" period, which allows customers three days to cancel an order. After Tork failed to respond to the suit, a federal judge fined his company $50,000. A year later, Tork was convicted of larceny and sentenced to three years and six months in a Texas prison.

Diane says she and John, who share a home in Atlanta, Georgia, are semiretired. John has long suffered type 2 diabetes, and recently had a foot amputated. Diane has been off the road for a long time and only pops into hotels to check on things once the crews are about to hop.

Her company is called Prestige, which clears orders through a Phoenix clearinghouse owned by the late Robert Spruiell (see "Upper Management"). Joining Prestige on this hop are at least two other companies - it's not uncommon for supposedly distinct companies to travel together. And it's not uncommon for these groups to say they have no idea what the other is up to, which is what Diane Tork tells the Press.

She can't speak for Team-XTreme, which is run by a guy named James Scribner, who was described as an alcoholic by every ex-agent who spoke to the Press about him. Diane Tork doesn't disagree with that characterization, saying, "He's a drunk. I've heard that he will take his clothes off and run around the hotel naked - never around me." ("Scribs," as he's known, is just one of the industry's many middle-aged men whose jobs require them to travel around the country in vans loaded with women in their late teens and early twenties, something that apparently creeps out no one in publishing. A few former agents accused Scribs of getting a tad too friendly with them when he was on a binge. One former agent said, "If you're 18 years old, he wants to fuck you. He's a dirty, nasty old man. I do not like that guy.")

Diane says she runs a tight ship: Her agents aren't allowed to bring alcohol inside the hotel. She also says her agents are periodically drug-tested. And if she hears any of them are using a dirty canvass, they're out. She says she's had to fire about 15 agents in the past month for failing drug tests and lying to Joneses.
The kids can be a handful. Yet it's precisely these kind of troublemakers that Diane targets, mostly because, according to her story, she's a philanthropist at heart. Sure, she could hire upstanding kids from stable families who are maybe looking for a summer job before going off to Harvard, but that would just be too damn easy. She'd rather take in needy kids and nurture their self-respect by giving them a job and responsibilities.
"Kids today, their parents don't want to talk to them; they throw them out on the streets...sometimes these kids need help," she says.

So she can be stern, but maybe not as much as her ex-husband John, who, she says, is especially hard on the young women in his crew.

"He hates girls," she says. "You know why he hates girls? He thinks they're all sluts. And he gets so mad that girls go around with half of their body hanging out...he doesn't like his guys associating with the girls." (John Tork didn't return numerous voice mails).

But deep down, she says, he's a softie. And neither he nor anyone else in the mag crew business should be painted with the same brush, she says. There are good and bad in every line of work.
It's a sentiment that was echoed by a lot of people contacted for this story. The media always wants to focus on the negative. Why talk about things like agents on probation who beat, rape and kill people when you can talk about kids who are honing valuable job skills?

James Scribner originally agreed to speak with the Press, but ultimately changed his mind, because of his belief that the Press just wanted to focus on the "negative."

Of course, Scribs and Diane Tork have a point. Few media stories describe how fun life on a mag crew can be - if you're not a WAB. First of all (based on what ex-agents told us), there is nearly unlimited access to marijuana, cocaine, pills and meth. It's like an especially fun dormitory on wheels. A lot of these young adults were already using before they joined crew, and find it absolutely wonderful that there are jobs where you can be high all the time, and instead of your boss caring, your boss is getting high with you.

You also get to travel the country, which means you get to experience Ramadas and Holiday Inns from coast-to-coast, as well as seeing the country's beauty from a van window. Plus, you get to knock on doors in exciting tourist destinations like suburban Houston, suburban Phoenix, suburban St. Louis and suburban ­Minneapolis.

For the guys, there's potential to get laid like crazy. Since crews are constantly picking up new agents, if a guy isn't getting anywhere with the current batch of young women, he just has to wait about 24 hours before the new batch arrives.

For the female agents, there is the promise of finding a boyfriend. A lot of serious relationships start on the road, and many lead to marriage. There are drawbacks, though; the Press spoke with a few female former agents who say their managers coerced them into getting abortions because a pregnant agent can't be walking all that much, and, really, who wants to buy a magazine subscription from a knocked-up 18-year-old? The idea is to appear innocent, not coked-out and with child.

Sure, if sales are bad, you don't always get to eat, and if you complain, managers often remind you of your station in life, and how your own family didn't want you, and besides, what the hell else are you going to do with your life? The agents who do manage to leave often come back because the lifestyle has gotten in their blood.

An agent named Jenn (she asked that her last name not be used) told the Press about returning to her crew, even though she knew it was bad for her. Jenn was hired in 2006, when she was 22 and hiding from her abusive boyfriend in a North Carolina women's shelter. Traveling around in a van seemed like a nice change of pace, so she answered an ad in the paper for Sunshine Subscription Agency, and met up with the crew manager, a 34-year-old guy who had served time in a Florida prison for burglary. She left with him that day.

She enjoyed the constant partying but had disagreements with the company owner (Vinnie Pitts, the current president of the NFSA), so she left after only a few months. But when she got home, she was freaked out by how quiet and slow things were. Her thumbtack habit grew worse - on the road, she would steal thumbtacks from bulletin boards and poke herself. She didn't know why. Once home, though, she was driving the suckers all the way in.

"I had not been alone for two months," Jenn told the Press. "I was so used to - no matter where I was, whether I was going to the bathroom, whether I was walking to the ice machine, I was never alone. And then all of a sudden, I was."

She added, "Physically, I couldn't be still, because my body was used to walking miles and miles a day, that if I didn't walk anywhere in one day, I would have these muscle spasms all over my body. And so I would walk for hours."

So she went back to the crew and got what she needed; the excitement, the friends, the exercise, the drugs. All fun things. Which goes to show that there is a positive side to this story.
_____________________
A year after the Wisconsin wreck, that state's governor, Jim Doyle, sent letters to the publishers of the magazines sold by the crew.

In his letter to Condé Nast, specifically citing the magazine Allure, Doyle wrote, "Our complaints document a pattern and practice of illegal conduct and deception in the marketing of your magazine. Unfortunately, last year's accident in Wisconsin was not an isolated incident. Other young people and adults have been killed in other states while working for itinerant sales crews. Young people are recruited to sell your publication with promises of extensive travel, wealth and college scholarships. Once employed, they are treated like animals."

He then laid the final responsibility at the feet of Condé Nast: "As a major publisher, you have the ultimate responsibility for the way your magazine reaches the public. You also control the purse strings because you pay these companies for obtaining new subscriptions. Clearly, you are in the best position to ensure that these companies obey the law and do not risk the lives of the children representing your product."

To date, Doyle appears to be the only politician who has called the publishers on their complicity in the door-to-door trade. However, it appears his words didn't quite sink in.
Two months after his letter to Condé Nast, he got a response not from the publisher, but from a lawyer for the Magazine Publishers Association, displaying that organization's uncanny ability to speak out of both sides of its mouth.

Attorney John Hadlock wrote that, to the best of his knowledge, the company running the crew in the Wisconsin wreck was not authorized by the publishers or the clearinghouse the company used. (This, of course, is an unverifiable statement, since all of the information is closely guarded).

Hadlock continued: "...And substantially, all of MPA's member publishers have taken steps to disassociate themselves and their magazines from road crew agents known to have acted unethically...."

And then, "The publishers would like to work with state and federal regulators to have a central clearinghouse of agents that are believed to be unethical or that violate the law. For antitrust reasons, MPA has been unable to create such a list for fear that that would be deemed an unlawful boycott."

A careful rereading of those passages presents a paradox: How were MPA's members able to "disassociate" from agents "believed to be unethical," unless they knew which agents had bad records and which were kosher? Presumably, one would have to work from a list in order to make disassociation possible.
Yet, "MPA has been unable to create such a list" for fear of inviting accusations of antitrust violations. So which is it? Either there is a list or not. Apparently, the likes of Condé Nast are afraid of being sued by people like Rick Senner and Vinnie Pitts, which would indicate that Condé Nast doesn't have much in its budget for hiring decent attorneys.

Hadlock ultimately blamed these unfortunate situations on the industry's bogeymen, the nefarious bunch of unauthorized sellers known as "rogue agents."

"Magazine publishers see such unethical agents as a serious problem," Hadlock wrote. "Agents of that type are quick to disappear when they are under scrutiny, only to reappear later under a different name and at a different location."

Although Hadlock's letter acknowledged the Wisconsin wreck, the MPA never issued a public statement on the tragedy. It was a sensitive time for them - it was the same year the association got a new president, Nina Link, who came to the MPA from the Children's Television Workshop, where she was, among other things, a producer of Sesame Street.

Nine months after the Wisconsin tragedy, Link was interviewed by Folio, a magazine geared toward people in publishing.
The interviewer asked Link, "In television reports about the accident, the MPA refused to comment. Was that the right decision?"

"I don't know," Link is quoted as saying. "People here are so thoughtful, and that decision was made with a lot of ­consideration."

The interviewer tried again: "Would you refuse to comment?"
Link said, "I'd have to be in the situation. If I felt it wasn't in the best interest of magazines, then no."

A few questions later, the interviewer asked, "Should publishers be more aggressive in self-policing efforts?"

Link's answer: "We have some 'best practices,' and again, we have established guidelines. I think many members have been good about following those guidelines, but there are probably a few that haven't."

The thing is, neither Hadlock's letter to the governor, nor Link's position that publishers take the MPA guidelines seriously, appears to hold up under scrutiny.

At the time of Crystal Mahathy's death - 11 months after the Wisconsin wreck - she was working from a hot-list provided by National Publishers Exchange, one of the country's biggest clearinghouses, which cleared major magazines like Time, Rolling Stone and US News & World Report. Yet NPE did not sever ties with Senner after the wreck. He served six months in jail and was back on the road, still using NPE's hot-lists.

After the families of Crystal Mahathy and Scott Tarwater sued Rick Senner, Russell Wood and All-Star Promotions (the case was settled for an undisclosed amount), Senner split from All-Star and joined a company called Entrepreneurs Across America. (Mahathy's and Tarwater's families also sued Firestone Tires, which in 2000 had recalled a massive number of defective tires, many of which were fitted onto Ford Explorers, one of which Senner was driving. Firestone settled with the families for an undisclosed amount).

Entrepreneurs Across America also used hot-lists from NPE, which featured titles like Reader's Digest, Maxim, Forbes and Elle. And these titles were hawked by top-tier individuals like Jacob Kanupp, who, according to internal documents from EAA, was a top seller when he joined in 2005. At the time, the 23-year-old Kanupp had a warrant out for his arrest and had racked up charges (if not outright convictions) for possession of cocaine, assault with a deadly weapon, carrying a concealed weapon, felony possession of marijuana, contributing to the delinquency of a minor, credit card fraud, driving without a license, DWI, defrauding an innkeeper, drunk and disorderly conduct, and, oh, ­littering.

Representatives at the National Publishers Exchange ignored calls from the Press for weeks. It wasn't until we left a voice mail saying we had confirmation that NPE had subcontracted with All-Star Promotions and Entrepreneurs Across America that we got a call back. That was from a woman named Elaine Scanlon, who would only say that they do not disclose which road crew companies they work with.

A TV Guide representative was the only person who would admit to a relationship with National Publishers Exchange, and that was only because, according to the representative, TV Guide dropped NPE - and all door-to-door sales - in 2007.

A representative for US News & World Report stated in an e-mail, "...since U.S. News is a privately held company, we do not disclose individual vendor sales ­information."

Ellen Morgenstern of Reader's Digest also sent an e-mail, stating, "the vast majority of Reader's Digest subscriptions come from direct mail efforts, partnerships, and via the Internet. A very small percentage come from authorized subscription agents that comply with industry guidelines and practices."

Beth Jacobson of Wenner Media, which publishes Rolling Stone, seemed confused when told that the Press was looking into door-to-door sales agents. "Wenner media doesn't directly retain those companies," she said, which is precisely the point.

The Web site for the Pilot Point-based Direct Subscription Services includes Rolling Stone on its list of available titles. But it's much better for Wenner Media never to step into the same room with a top-selling DSS agent like Tim Heinecke, who joined the company after skipping out on probation for beating his three-year-old daughter.

Who wants to be publicly associated with that guy?
_____________________
In her short time on the road for Senner Sales, Crystal Mahathy got to meet all kinds of people.

The thing about a Jones is, you never know what you're going to get. Some male Joneses will buy any crappy magazine from an agent showing enough cleavage. Some will invite you in for a joint. Some will slam the door in your face or sic their dog on you.
Mahathy was so young and unassuming that she seemed to invite sympathy from her Joneses. A woman in Rio Dell, California, invited Mahathy in for some food and a rest. She wound up talking to Mahathy for two hours. She felt so bad about taking up Mahathy's time that she bought a subscription to Rolling Stone.
Before Mahathy went on to the next Jones, the woman made sure to get her address. Mahathy gave her the address to her aunt Shirley's house.

The following Christmas, Shirley Mahathy opened her mailbox and found a card from Rio Dell, addressed to Crystal. Shirley opened the envelope to find a Christmas card - a red background with pictures of little toys scattered about, and a bed with three sleeping tots.

Inscribed in the card was a message from the woman who had sat and talked with Mahathy months earlier.

"Hey little one," it read, "...please send a note and let us know you are safe and home."

Of course, the woman never got a note. By that time, Crystal Mahathy was ten months dead.

Digital Media Comes of Age


Digital Media Comes of Age
By Vin Crosbie
http://www.clickz.com/showPage.html?page=3630189
A consumer magazine whose multimillion copy circulation has been declining for decades seeks a digital media chief. According to its recruitment ad, the digital chief's main responsibility "will be to develop and launch profitable new digital services that increase the circulation of the company's renowned publication."

Do you remember when you were a child and your parents dressed you up and asked you to open the door and greet guests at their dinner parties? Years later when you were a teenager, how would you feel about doing that? Would you like that to be your main responsibility now that you're an adult?

I'm amazed at how many magazines still focus on digital media primarily as a mechanism to drive traffic to print and reverse the inevitable decline of that traditional medium.

Using digital media primarily as a way to increase print circulation might have made a bit of sense in the Internet's early years, when it was opened to the public in 1991. Yet when public use of the Internet entered its teenage years and began to become a mature medium in its own right, all print media companies should have acknowledged that and stopped using digital as an adjunct, billboard, or child to the parent operation. Though many magazine companies have made that change, it's amazing how many still have not. (The same can be said about many broadcast companies' treatment of digital media.)

Public use of the Internet will be 18 years old next year. It can still be a bit reckless and uncertain, learning its way around, but it has certainly become a mature medium in all natural ways. It's about time that every media company began treating digital that way and acknowledging its full rights as a medium.

Moreover, when you were 18 years old, did your parents say that your main responsibilities were household chores? You probably weren't too happy about that, but at least it was better than being a cute little doorman whose role was simply to drive traffic to print. I mentioned that many media companies have begun to acknowledge that digital is maturing. I've noticed that many consumer magazines, broadcasters, and newspapers have lately rephrased their recruitment ads to say that digital will "be responsible for developing and launching profitable new digital services to enhance the company's stable of brands."

Although being responsible for new digital services that "enhance the company's stable of brands" is better than just "increase the circulation of the company's renowned publication," it's still not a happy role for digital. Using online to enhance the company's stable of brands means making the parent's household shinier and more attractive for a new kind of guest. It means dusting off the old place, trying to make the legacy brands attractive online, and convincing the digital audience that you're not a teenager driving your parents' Buick.

I sympathize with digital media executives who've been put in that teenage role. I can see some of the reasons they accept it. Life is less risky and more convenient under a parent's roof, and the allowance they get from their parents might be more lucrative than what they can get venturing out on their own.

However, the problem is that some -- probably many -- of those legacy brands don't make sense to operate online. Many are brands that developed as the best of what the print medium does and are unsuited for online media, no matter how much money the parents throw that way.

While it's OK for a legacy brand to have a digital presence, the purpose of digital shouldn't be to enhance traditional media brands, nor to leverage those brands' legacy goodwill online, when many are too old or can't naturally adapt for the online environment. Nor is simply rebranding old brands a good idea. Remember Pathfinder?

Business is business and not a place for the sentimental, even those sentimental about old brands. If the legacy brand is old and tottering in its own medium, there are probably natural reasons for it. It's not digital's role to give life-support to declining legacy media or legacy brands. Whenever a new medium comes of age, its primary role is to venture out on its own, not prop up its parents or legacy.

Digital media is coming of age. It's about time for digital media to venture out on its own. It's time for media companies to stop treating it like a child.

Tuesday, July 15, 2008

Is readership rising or falling?


Is readership rising or falling?
By Simon Owens
http://bloggasm.com/is-newspaper-readership-rising-or-falling

Amid the countless stories detailing the blows the newspaper industry has taken in both advertising and circulation, one positive theme has remained constant: More people are reading newspapers than ever. Or, more specifically, more people are visiting newspaper websites. The New York Times, for instance, has a weekday circulation of just over a million. Its website - depending on which metrics you use - has somewhere close to 18 million separate people that visit it each month.
But according to a new study (pdf) released by the Readership Institute, a division of the Media Management Center at Northwestern University, even this one glimmer of hope for the industry may be overblown.

To complete the study, the Readership Institute hired a polling firm to conduct over 3,000 phone interviews in 100 "impact" markets. The questions focused in on how much time and effort was spent reading a person's local daily paper, making sure to differentiate between the print and online edition.

Based on the answers, the study concluded that website "penetration" is relatively low, with only a fifth of the respondents saying they visited their local papers' websites within the past month. Approximately 62 percent of the respondents said they have never once accessed the newspaper's website.

Mary Nesbitt, managing director at the Readership Institute, told me in a phone interview today that the level of website penetration has remained relatively the same since 2003.

"The penetration within the average impact area is not as high as most would like it to be," Nesbitt said. "It has changed a little bit over the last few years, picking up a little bit. But there's still a big opportunity to grow and engage an online audience."

As for the print edition of the newspaper, its core readership is showing a slow, steady decline. The Readership Institute developed a "Reader Behavior Score" to not only measure how often a person reads his local newspaper, but how much time is spent with it and the extent to which he reads it. The RBS is based on a seven-point scale, and this year the average score was 3.38, a drop from 3.55 in 2006.

Respondents that were ages 18 to 24 showed the sharpest decrease in readership, with a score of 2.40 (compared to 2.84 in 2006). Older readerships either stayed the same or actually showed significant increases.

So what accounts for the disparities between the website statistics boasted by most newspapers and the results of this study? Nesbitt wouldn't speculate much on this, but it's possible that many of those new readers are flowing in from outside the local impact area, either through search engines or links from other websites. Also, the study relied on the respondents to make off-the-cuff estimations of the time they spent reading newspapers, a fact that likely resulted in people making generalizations for reading habits that are often very complicated and sporadic. Readership has always been an incredibly complicated thing to measure, and even with the sophisticated analytic tools we have today to measure website traffic, there are still unresolved arguments over how to accurately gauge a website's readership.

But Nesbitt said one thing is likely certain: since the Readership Institute began conducting these surveys in 2000, readership is bleeding at a much slower pace than advertising and circulation revenue.

"What it tells us - contrary to what we read and see and hear - is that newspapers are not going to hell in a handcart," she said. "At least in terms of their audiences . . . They are read and used by a huge number of people on a regular basis. Truth be told that number has been declining slowly and what has been driving that is that frequency of reading has decreased."

And when I asked her whether there's any optimism for the industry that can be found from these studies, Nesbett was quick with one positive piece of spin.

"Something that's interesting is that even though website readership is very low, to me that says opportunity," she replied. "And the other thing is how the trust and credibility of the newspaper seems to be having a beneficial brand effect on the website as well. That's very positive to me."

But whether this brand will remain intact remains to be seen. The Newspaper Association of America reported recently that online newspaper advertising jumped 19 percent in 2007.

The flip side to that? Overall, total advertising revenue has dropped 12 percent from last year. Only time will tell whether newspapers online counterparts will ever catch up, or if this decade truly signifies the beginning of the end of the industry as we know it.

Contact me at simon.bloggasm@gmail.com